The Eagle and the Mole

Avoid the reeking herd,
Shun the polluted flock,
Live like that stoic bird,
The eagle of the rock.

The huddled warmth of crowds
Begets and fosters hate;
He keeps above the clouds
His cliff inviolate.

When flocks are folded warm,
And herds to shelter run,
He sails above the storm,
He stares into the sun.

If in the eagle’s track
Your sinews cannot leap,
Avoid the lathered pack,
Turn from the steaming sheep.

If you would keep your soul
From spotted sight or sound,
Live like the velvet mole:
Go burrow underground.

And there hold intercourse
With roots of trees and stones,
With rivers at their source,
And disembodied bones.

– Elinor Wylie

The problem of pain

There have been times when I think we do not desire heaven; but more often I find myself wondering whether, in our heart of hearts, we have ever desired anything else. You may have noticed that the books you really love are bound together by a secret thread. You know very well what is the common quality that makes you love them, though you cannot put it into words: but most of your friends do not see it at all, and often wonder why, liking this, you should also like that. Again, you have stood before some landscape, which seems to embody what you have been looking for all your life; and then turned to the friend at your side who appears to be seeing what you saw–but at the first words a gulf yawns between you, and you realise that this landscape means something totally dfferent to him, that he is pursuing an alien vision and cares nothing for the ineffable suggestion by which you are transported.

Even in your hobbies, has there not always been some secret attraction which the others are curiously ignorant of–something, not to be identified with, but always on the verge of breaking through[…]? Are not all lifelong friendships born at the moment when at last you meet another human being who has some inkling (but faint and uncertain even in the best) of that something which you were born desiring, and which, beneath the flux of other desires and in all the momentary silences between the louder passions, night and day, year by year, from childhood to old age, you are looking for, watching for, listening for?

You have never had it. All the things that have ever deeply possessed your soul have been but hints of it–tantalising glimpses, promises never quite fulfilled, echoes that died away just as they caught your ear. But if it should really become manifest–if there ever came an echo that did not die away but swelled into the sound itself–you would know it. Beyond all possibility of doubt you would say ‘Here at last is the thing I was made for.’ We cannot tell each other about it. It is the secret signature of each soul, the incommunicable and unappeasable want, the thing we desired before we met our wives or made our friends or chose our work, and which we shall still desire on our deathbeds, when the mind no longer knows wife or friend or work.

While we are, this is. If we lose this, we lose all.

The Problem of Pain, chapter 10,
C.S. Lewis
(paragraph divisions mine)

A field guide to the tatterdemalion in its natural habitat.

Gathers broken shells on beaches, pebbles with holes in them and other hopeful but powerless talismans. Goes for long walks on steep hills, spends much time watching the sea. Picks up dead leaves and tries to memorize their structure. Becomes enamoured of themes to a point beyond any reason. Works into the night, but still gets up at dawn. Never seems to do well enough. Can only look back on work that is so old it no longer matters. Knows the next painting will be the one. Wants to get it right but cannot define what right is. Hates getting it wrong (but quite familiar with that feeling, thank you.) Cannot even describe that it is for that matter. Buys useless and usually broken things because they suddenly appeal. (To what? Cannot define.) Would happily be a knight in shining armour, but rust just gets everywhere. Loathes paperwork (how terre-à-terre and quotidian). Is always busy, but never done. Isn’t at all heroic or invincible, but daydreams about it. Works hard on things that don’t matter because somehow they do. Gets lost in thought often (has no proper map). Is a little raggedy at the edges, and patched at the elbows, but patches of gold and silver. Goes to buy groceries and comes back with books. Can spend whole life drawing pictures of things that don’t exist. Occasionally peers out of hedge at the world speeding past, but knows roads are dangerous things… they can lead just about anywhere. Even to the other side of the world.

– John Howe,

The definition of a truly beautiful doll

is a living, breathing body devoid of a soul. […] The human is no match for a doll, in its form, its elegance in motion, its very being. The inadequacies of human awareness become the inadequacies of life’s reality. Perfection is possible only for those without consciousness, or perhaps endowed with infinite consciousness. In other words, for dolls and for gods. […]

The doubt is whether a creature that certainly appears to be alive, really is. Alternatively, the doubt that a lifeless object might actually live. That’s why dolls haunt us. They are modelled on humans. They are, in fact, nothing but human. They make us face the terror of being reduced to simple mechanisms and matter. In other words, the fear that, fundamentally, all humans belong to the void.

– Kim,
Ghost in the Shell: Innocence

Humans are different from robots.

That’s an article of faith, like black isn’t white. It’s no more helpful than the basic fact that humans aren’t machines. […]

Unlike industrial robots, the androids and gynoids designed as “pets” weren’t designed along utilitarian or practical models. Istead, we model them on a human image, an idealized one at that. Why are humans so obsessed with recreating themselves? […]

Children have been excluded from the customary standards of human behaviour, if you define humans as beings who possess a conventional identity and act out of free will. Then what are children in the chaos preceding maturity? They differ profoundly from “humans”, but they obviously have human form. The dolls that little girls mother are not surrogates for real babies. Little girls aren’t so much imitating child rearing, as they are experiencing something deeply akin to child rearing. […] Raising children is the simplest way to achieve the ancient dream of artificial life.

– Haraway,
Ghost in the Shell: Innocence